Sole South African Distributors:
Analog Reverb Emulator with Clean Boost
Tech 21 brings a fresh perspective to the standard reverb pedal. By incorporating a clean Boost function, up to 9dB, your solos will jump out with greater dimension. The Boost R.V.B. is designed with user-tweakable, "lo-fi" analog technology. By manipulating the controls, you can infuse degrees of warmth and life characteristic of vintage reverbs. The circuitry intentionally injects the inherent imperfections of vintage units, which is what makes them so seductive and nostalgic. A single, continuously-variable Time control provides a full sweep of size. The Boost R.V.B. parameters are engineered so that you can explore and custom tailor such reverb styles as spring, plate and natural room/hall ambiance.
Analog Delay Emulator with Clean Boost
Tech 21 brings a fresh perspective to the standard delay pedal. By incorporating a clean Boost function, up to 9dB, your solos will jump out with greater dimension. The Boost D.L.A. is designed with user-tweakable, "lo-fi" analog technology. By manipulating the controls, you can infuse degrees of warmth and life characteristic of vintage delays. The circuitry intentionally injects the inherent imperfections of vintage units, which is what makes them so seductive and nostalgic. A single, continuously-variable Time control provides a full sweep, up to 1000 milliseconds, of delay. The Boost D.L.A. parameters are engineered so that you can explore and custom tailor such delay styles as digital, vintage tape and bucket brigade.
Our popular SansAmp PSA-1 underwent an internal redesign to accommodate the use of improved, more efficient and cost effective parts in order to preserve its original price. While the 100% analog signal path and functionality remain the same, during the design process it became possible to include a few new features: an on/off switch on the front panel, more program locations (there are now 128), a master volume control, an XLR ground lift switch, phantom power MIDI input, and a dedicated headphone output.
Via MIDI, you can load and off-load presets, map program locations, and select MIDI channels (including Omni Mode). Remote program changes can also be made via MIDI (including Tech 21's own equally player-friendly MIDI Mouse footcontroller). Other features include dual 1/4" and XLR outputs for stereo processing, either of which can be set at line or instrument level, and used simultaneously. The non-glare, 3-digit LED display is readable from any angle, in daylight or darkness.
Considered a staple in professional recording studios, the SansAmp PSA has been used on major releases and worldwide tours for multiple applications and instruments, including horns, vocals and drums. Players, engineers and producers alike find the SansAmp PSA very simple to operate. To program, you just tweak the knobs and save. Parameters are adjusted in real time with traditional analog potentiometers. The digital memory stores the positions of the pots. With 256 incremental steps, each rotary control increases and decreases in a smooth linear fashion.
The exceptionally versatile SansAmp PSA-1.1 offers 49 factory presets of the most recognized vintage and modern tube amp sounds for guitar and bass, and 77 user-definable locations. A Universal Output Section enables the signal to be compatible with full range systems as well as guitar/bass speaker cabinets. With the SansAmp PSA-1.1, you can record direct to tape, as well as warm up existing tracks in mixdowns. For live applications, it can be used as a pre-amp, "monster direct box" to P.A. system, and as an outboard processor.
Via MIDI, you can load and off-load presets, map program locations, and select MIDI channels (including Omni Mode). Remote program changes can also be made via MIDI (including Tech 21's own equally player-friendly MIDI Mouse footcontroller). Other features include dual 1/4" and XLR outputs for stereo processing, either of which can be set at line or instrument level, and used simultaneously. The non-glare, 3-digit LED display is readable from any angle, in daylight or darkness.
Considered a staple in professional recording studios, the SansAmp PSA has been used on major releases and worldwide tours for multiple applications and instruments, including horns, vocals and drums. Players, engineers and producers alike find the SansAmp PSA very simple to operate. To program, you just tweak the knobs and save. Parameters are adjusted in real time with traditional analog potentiometers. The digital memory stores the positions of the pots. With 256 incremental steps, each rotary control increases and decreases in a smooth linear fashion.
The exceptionally versatile SansAmp PSA-1.1 offers 49 factory presets of the most recognized vintage and modern tube amp sounds for guitar and bass, and 77 user-definable locations. A Universal Output Section enables the signal to be compatible with full range systems as well as guitar/bass speaker cabinets. With the SansAmp PSA-1.1, you can record direct to tape, as well as warm up existing tracks in mixdowns. For live applications, it can be used as a pre-amp, "monster direct box" to P.A. system, and as an outboard processor.
Always thinking of our fat-stringed brethren, we had to make a 3-channel, programmable, rig-in-a-box for bassists who can't get enough of a great thing. Like the TRI-A.C. for guitar, you get three hot tones right at your toetips. The all-analog circuitry features the same controls as its single channel predecessor: Drive, Bass, Treble, Presence, Blend and Level. Digital only in its programmability, you just tweak the knobs until you find a tone, double-tap on a footswitch, and it's saved in that channel. It's that simple. Three of your faves -- to go!
Build your Bass Driver DI into a live rig with a Bass Power Engine 60, and run through the PA for extra power.
Boldly go live with just your Bass Driver DI straight into the PA.
Bounce into any studio with a Programmable Bass Driver DI and plug directly into the board.
Boldly go live with just your Bass Driver DI straight into the PA.
Bounce into any studio with a Programmable Bass Driver DI and plug directly into the board.
Digitally programmable, 100% analog signal path
This triple channel rig-in-a-box is a no-brainer solution for players needing three hot tones served up fast and easy. Dial up a tone, double-tap one of the three preset footswitches, and it’s saved. Yeah, it’s that easy. Whatever you want, from country clean to nu-metal dirt, the TRI-A.C. will hand over three flavors of the finest SansAmp tones faster than a drive-thru.
The genuine analog SansAmp circuitry features Drive and Level controls, an active three-band EQ, and three selectable amp voicings:
TWEED = Fender®-style
BRITISH = Marshall®-style
CALIFORNIA = Mesa/Boogie®-style
When you select one of the 3 pre-voiced amp styles, every dimension of each individual personality changes. It is not merely a difference in EQ or gain structure. Each amplifier type has its own tonality and its own input sensitivity. Each interacts differently to the dynamics of your playing style and to the signal level of the instrument.
This triple channel rig-in-a-box is a no-brainer solution for players needing three hot tones served up fast and easy. Dial up a tone, double-tap one of the three preset footswitches, and it’s saved. Yeah, it’s that easy. Whatever you want, from country clean to nu-metal dirt, the TRI-A.C. will hand over three flavors of the finest SansAmp tones faster than a drive-thru.
The genuine analog SansAmp circuitry features Drive and Level controls, an active three-band EQ, and three selectable amp voicings:
TWEED = Fender®-style
BRITISH = Marshall®-style
CALIFORNIA = Mesa/Boogie®-style
When you select one of the 3 pre-voiced amp styles, every dimension of each individual personality changes. It is not merely a difference in EQ or gain structure. Each amplifier type has its own tonality and its own input sensitivity. Each interacts differently to the dynamics of your playing style and to the signal level of the instrument.
While larger than our other SansAmp pedals, it still fits in a gig bag. Actual size is 7.25"l x 5"w x 1.5"h (2"h overall).
Operable with 9V alkaline battery (not included) or optional power supply
Operable with 9V alkaline battery (not included) or optional power supply
The SansAmp Classic's knob controls shape pre-amp contours, power amp contours, volume and final tone.
SansAmp Classic was specifically engineered with a flat output to provide maximum flexibility and control with external EQ.
There are countless (we know, we've tried) combinations and permutations for you to explore.
SansAmp Classic was specifically engineered with a flat output to provide maximum flexibility and control with external EQ.
There are countless (we know, we've tried) combinations and permutations for you to explore.
The 3-position input switch gives you a choice of pre-amp styles:
LEAD
NORMAL
BASS
For Marshall®-type pre-amps with mid-range and highs emphasized For Mesa Boogie®-type pre-amps.
For Fender®-type pre-amps (excellent for rhythm guitar as well as bass)
The knob controls shape pre-amp contours, power amp contours, volume and final tone. With SansAmp Classic, there are countless (we know, we've tried) permutations for you to explore.
Sample style settings include: Vintage (AC/DC) and Hot-Wired (Van Halen) Marshall®; Mesa Boogie®; Hiwatt®; Fender® Lead (B.B. King), Rhythm and Bass; and Ampeg SVT®.
LEAD
NORMAL
BASS
For Marshall®-type pre-amps with mid-range and highs emphasized For Mesa Boogie®-type pre-amps.
For Fender®-type pre-amps (excellent for rhythm guitar as well as bass)
The knob controls shape pre-amp contours, power amp contours, volume and final tone. With SansAmp Classic, there are countless (we know, we've tried) permutations for you to explore.
Sample style settings include: Vintage (AC/DC) and Hot-Wired (Van Halen) Marshall®; Mesa Boogie®; Hiwatt®; Fender® Lead (B.B. King), Rhythm and Bass; and Ampeg SVT®.
"Architecturally" create your own rig in seconds. You can easily achieve the most sought-after tube amp sounds, and entirely new ones as well. Choose amplifier type, modification and speaker cabinet/mic placement configurations. You can easily mix and match specific sound characteristics in ways that would otherwise be physically improbable, probably impractical and definitely not cost effective. The GT2 is a truckload of great amps in a single, simple pedal.
This unique pedal design captures the lush, muscular power amp
distortions of both Class A and Class A/B tube amps. The tones can be
used individually or you can feed one into the other for massive 'cascading' distortion and limitless tonal variation. The 100% analog Double Drive 3X is a 3-channel, fully programmable version of its single channel predecessor and features active 3-band EQ. The expanded tone section gives you even greater flexibility to create incredible and original tones. You can store three custom sounds, even on the fly, by simply tweaking the knobs and double-tapping on a footswitch. How easy is that? And, with both Drives at minimum, you can program a clean boost up to 10dB for blazing solos.
Sometimes more is more.
distortions of both Class A and Class A/B tube amps. The tones can be
used individually or you can feed one into the other for massive 'cascading' distortion and limitless tonal variation. The 100% analog Double Drive 3X is a 3-channel, fully programmable version of its single channel predecessor and features active 3-band EQ. The expanded tone section gives you even greater flexibility to create incredible and original tones. You can store three custom sounds, even on the fly, by simply tweaking the knobs and double-tapping on a footswitch. How easy is that? And, with both Drives at minimum, you can program a clean boost up to 10dB for blazing solos.
Sometimes more is more.
DRIVE A controls the amount of Class A power amp output stage distortion (like Vox AC30®-style amp), rich in even harmonics. The amount of harmonics is dynamically controlled by the input level and their ratio by how hard you pick.
DRIVE A/B controls the amount of Class A/B power amp output stage distortion (like Fender®/Marshall®-style amps), rich in odd harmonics.
The signal path of Drive A runs into the signal path of Drive A/B. This results in an electronic multiplication, rather than addition, of the amount of distortion to achieve a cascading effect.
In a recording studio, the MIDI Mouse can easily sit on a console. The smooth-action custom actuators give you fingertip control for instant remote program changes. On stage and in the studio, the large, non-glare LED display can be read from any angle, in daylight or darkness.
Phantom power operable via MIDI cable, or utilizes optional DC power supply, Tech 21 Model #DC2, or 9V alkaline battery (not included)
Actual size: 4.5" x 3.5" x 1.5"
Phantom power operable via MIDI cable, or utilizes optional DC power supply, Tech 21 Model #DC2, or 9V alkaline battery (not included)
Actual size: 4.5" x 3.5" x 1.5"
Weight: 11 oz.
The MIDI Mouse is designed to take the frustration and confusion out of MIDI and offer an exceptionally user-friendly footcontroller.
Easily access 128 patches on any of the 16 selectable MIDI channels by using the Up and Down footswitches to locate your program, with no banks to select.
A third footswitch toggles between Search mode to locate programs and Active mode to send the program number to the MIDI output.
Easily access 128 patches on any of the 16 selectable MIDI channels by using the Up and Down footswitches to locate your program, with no banks to select.
A third footswitch toggles between Search mode to locate programs and Active mode to send the program number to the MIDI output.
The 1U rackmount SansAmp RBI is a pumped-up, expanded version of our popular SansAmp Bass Driver DI pedal. In addition to Drive, Presence, and active Bass and Treble controls, the SansAmp RBI has a dedicated Mid control and an XLR Output Level control for optimum performance with PA systems. It also features an Effect Loop with a Mix 50/50 switch (for parallel or series operation), an XLR output with selectable levels, and a buffered direct XLR output to provide a dry signal. Include access to the most coveted classic and modern bass tones, with unlimited freedom to create your own, and the SansAmp RBI is practically mandatory for any bass player.
