M-Five Ribbon Microphone

The ART M-Five has been engineered to deliver incredibly open and natural sounding recordings available only from a classic ribbon microphone design.

The active element of the ART M-Five is a very thin corrugated aluminum ribbon mounted under low tension between the poles of a strong magnet. This classic design delivers the warmest and most natural sound reproduction available from virtually any style of studio microphone. With incredibly fast and accurate transient response and stunning realism, the ART M-Five classic ribbon microphone is ideal for todays direct to digital recordings.

M-Four

The ART M-Four tube condenser microphone is perfect for recording both critical vocals and essential instruments. The dual diaphragm multi-pattern tube design delivers nine different polar pattern settings allowing unmatched versatility, making the M-Four ideal for virtually every recording application.

M-three

The ART M-Three multi-pattern wide diaphragm condenser microphone is one of the most versatile microphones available for your studio toolkit. Three selectable polar patterns, two position low frequency roll-off and two position pad switch on the body of the microphone ensure the ART M-Three can easily be applied to virtually any recording or live application.

M-Two

The ART M-Two is one of the most versatile compact side-address wide diaphragm condenser microphones available. A cardioid polar pattern with two position pad and two position low frequency roll-off switches make it the ideal studio condenser microphone for solo vocal or instrument recordings where subtlety and clarity is paramount.

M-One USB

The ART M-One/USB USB delivers studio quality performance in a convenient USB microphone design. Based on the popular ART M-One Studio Condenser, the M-One/USB uses the same low-mass diaphragm and upgraded high quality capsule as the studio version of the microphone, ensuring incredible tone and accurate sonic detail while adding the convenience of a Mac and PC compatible USB 2.0 24bit/ 48kHz output.

M-One

The M-One cardioid condenser microphone delivers a solid quality and outstanding performance in an extremely cost effective microphone. The low-mass diaphragm and upgraded high quality capsule delivers a clear tone with accurate sonic detail making it perfect for a wide range of recording and live sound applications.

S8-3Way

The S8-3WAY eight channel three way microphone splitter is ideal for live sound, recording and broadcast applications where microphone and XLR balanced line level input signals have to go to multiple mix locations.

Headamp 6 Pro

The ART HeadAmp6PRO is a six-channel stereo headphone amplifier that includes a six-channel auxiliary input section that can be used to provide the popular “More-Me” function on each headphone mix. Each output channel also features a dual function BALANCE control which will pan between LEFT & RIGHT sides of the main signal bus, or vary the MIX between the main signal bus and the AUXILIARY input for that respective channel.

ART Auto-Tune Pre

The Auto-Tune Pre combines an ART tube preamp channel with integrated Antares Auto-Tune® processing in a compact accessible package ideal for studio or stage. Now live artists can easily add high quality Antares pitch processing without the complexity and cost of an external computer and software.

Pro MPA-II

The new ART ProMPA II is the next generation in affordable high performance microphone preamp technology. Each microphone input circuit, with selectable 48v phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. TheProMPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.

Tube PAC

The Tube PAC from ART is a combination of the world’s most popular tube mic/line preamplifier and optical tube compressor. ART engineers took the Tube MP and Tube Compressor and combined them into a single convenient aircraft-quality, extruded aluminum chassis. This new table-top design allows for easy placement in the studio or on the stage with immediate access to all the controls, features, and metering. In addition to being a tremendous vocal and instrument preamplifier and compressor package, this may well be the ultimate in tube direct boxes!

Pro Channel

The Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel.

TPS II Tube Preamplifier System

Designed as the ideal preamp for any application, the tube driven TPS II and DPS II add warmth and texture to any audio source. These two-channel high performance preamps use a hand selected 12AX7A tube in the low noise input circuitry. This, coupled with ART's proprietary V3™ (Variable Valve Voicing) and variable input impedance allow the TPS II and DPS II to deliver incredible performance from cost effective single space rackmount solutions.

Tube MP - Studio V3

The Tube MP Studio V3 delivers warmth and fatness to any audio source while maintaining an exceptionally low-noise signal path. While its primary function is as a microphone preamp with +48V phantom power, variable gain and phase reverse switching, the Tube MP is also an exceptionally versatile tube driven direct box for any instrument source.

Tube MP Project Series

The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to a mixer or other audio input. This hybrid design is the latest in a long line of ART tube preamps. We took our legendary Tube MP series and updated every aspect of the design, inside and out, while still maintaining a compact, reliable, and cost effective product. From the new all-aluminum stackable chassis to the precision LED level metering circuitry, we have improved virtually every aspect of our already successful Tube MP series. With up to 70dB of clean musical gain and high output signal drive capability the cold digital world will melt with your mixes! Charge up your creativity with the Tube MP Project Series!

Tube MP Original

The Tube MP is the world’s most popular external tube microphone preamp. Whether you’re working with a digital, computer or analog recording system, the Tube MP’s TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable equipment. The hybrid design of the Tube MP allows it to add warmth and fatness to a signal while maintaining exceptionally low-noise and high quality. While its primary application is to be used with a microphone, the Tube MP is an exceptional direct box - impedance matching, amplifying and improving the sound of any instrument plugged into it.

USB Dual Pre

The USBDualTubePre is the ultimate compact dual channel tube preamp for any basic recording system. Capable of operating as a standalone unit with USB audio interface, or as an expander for any digital system with s/pdif digital input, each channel in the USBDualTubePre delivers superior tube tone in a fully featured input strip.

Each input of the USBDualTubePre has independent input gain control and output level, phase inversion, low frequency roll-off, true 48v phantom power and a user defeatable opto-compressor circuit capable ensuring superior dynamic control or any input source.

For monitoring, an 1/8-inch TRS mini headphone jack with level and monitor mix controls allow latency free local monitoring of the inputs while recording as well as playback monitoring of audio mix via the USB bus. The monitor mix is also routed to the 1/4-inch TRS balanced outputs with separate level control for control room monitor source.

The USB interface is fully USB compliant. No special drivers are needed.

ART Digital MPA-II

The all new ART Digital MPA-II delivers all of the same great features of the ProMPA with the added versatility of digital output. Like the ProMPA-II, each input circuit has 48v phantom power and features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The Digital MPA-II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.

USB Phono Plus V2

The strong>USBPhonoPlus v2 is the ideal low cost interface solution for transferring any analog or digital audio source, including a turntable into a computer via standard USB connection. Building on the success of the two previous iterations, the ARTcessories DeeJayPre and the USBPhonoPlus, the USBPhonoPlus v2 adds more convenient pre or post monitor source selection and a variable headphone level control to the already successful low noise RIAA standard A/D interface package.

Tube Channel

The ART VoiceChannel is the perfect complete channel input strip for recording, broadcast or high profile live applications where maximum performance and detail is required. Designed to deliver in critical applications where full control of the audio source is required, the VoiceChannel combines a single Class-A tube mic preamp, full-featured dynamics control, De-esser, expander and semi-parametric EQ into one unit with analog and digital output as well as the ability to direct connect to any computer or laptop via integrated USB port.

Designed to be a powerful channel strip and the ideal all in one input solution for analog or digital recording, each stage of the VoiceChannel’s signal path provides full control and a full feature set for each component, making it the perfect choice for tracking critical vocals and solo instruments.

USB Dual Pre

The USB Dual Pre is a full-featured high quality dual portable preamplifier and computer interface packed into a compact rugged case.

It is designed to work over a wide variety of applications from remote field recording to desktop/studio tracking. Each of the two low noise input channels has up to 48 dB of clean gain with signal present and clip LED indicators. Inputs can be either XLR balanced or 1/4-inch TRS. Each of the 1/4-inch TRS outputs is buffered low impedance balanced.

DPS II

Designed as the ideal preamp for any application, the tube driven TPS II and DPS II add warmth and texture to any audio source. These two-channel high performance preamps use a hand selected 12AX7A tube in the low noise input circuitry. This, coupled with ART's proprietary V3™ (Variable Valve Voicing) and variable input impedance allow the TPS II and DPS II to deliver incredible performance from cost effective single space rackmount solutions.

In the case of the DPS II, the added convenience of direct digital output connectivity making it an ideal expander for any computer interface or sound card with RCA S/Pdif digital input.

TubeOpto 8

The ART TubeOpto 8™ is the ideal Eight Channel input / output expander for any ADAT lite-pipe equipped audio interface, direct-to-disc recorder or DAW. Eight high quality second generation discrete Class–A vacuum tube microphone preamps are packaged in a single rack space unit with eight channel 24-bit digital I/O.

ART DJPre II - Phono Amplifier

The DJ PRE II (formerly named the “Phono MicroPRE”) acts as an interface between your turntable and your audio recording / playback system. The analog input capacitance can be switched between 100pF and 200pF to optimize your phono cartridge response. A switchable low cut filter removes turntable rumble while leaving the audio pristine. The front gain trim control and signal/clip LED allow you to optimize the preamp’s gain for a wide range of input sources. The built-in low noise phono preamp circuitry is highly accurate and precisely conforms to the RIAA standard. The line output jacks are low impedance and can be used with any sound card.

ART Z Direct Professional Passive Direct Box

The Zdirect is a high quality totally passive interface that lets you connect instrument, line, or speaker level signals to a mixer or other balanced input thru a high performance audio isolation transformer. The high impedance single-ended 1/4” input is converted by the transformer into an isolated balanced low impedance signal source. The Zdirects audio transformer has an extremely flat and wide frequency response and can handle high signal levels while still maintaining an isolated balanced low impedance output. This gives the Zdirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

ART X Direct Professional Active Direct Box

The Xdirect is a high quality interface that lets you connect instrument, line, or speaker level signals to a mixer or other balanced input. The high impedance single-ended 1/4” and XLR inputs are buffered and converted, by very low noise active electronics, into an isolated balanced low impedance signal source. The Xdirect has an extremely flat and wide frequency response and can handle high signal levels while still maintaining an isolated balanced low impedance output. This gives the Xdirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

ART Headamp4

The HeadAmp4 offers 1/8th-inch as well as 1/4-inch inputs and outputs as well as lower noise, lower distortion and more output in a new custom extruded stackable metal case.

ART Pro VLA II

The ProVLA II is a tube driven Vactrol®-based Compressor / Leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the ProVLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.

ART SCC Studio Control

Overview

The ART SCC is the ideal compact solution allowing you to take complete control of your studio space. Three selectable stereo sources can be quickly and easily routed to any or all of three sets of stereo balanced outputs from the front panel. Sources can be individually selected or blended from the front panel. Separate trim pots ensure proper levels between sources can be preset. A large single volume knob controls the overall output level of the system.

A separate cue source input with its own outputs and level control allows a separate headphone mix to run in parallel to the main mix. The headphone output can easily switch between the cue source and the main input source with the touch of a single button on the front panel.

Additional controls on the SCC include a master mute switch, and a mono switch allowing you to sum the stereo inputs to mono to check phase in any mix.

In a typical studio setup, one set of inputs on the SCC would connect to the main output of your DAW workstation or computer audio card. Secondary outputs or headphone output would be connected to the SCC's Cue Mix input allowing for a second, completely separate headphone mix. Other sources (keyboard, iPod, analog sub mixer etc) can connect to the additional stereo inputs.